30.12.09

Cheap Tricks Redux


When my friend and Damned by Faint Praise contributor, and great artist in his own right, Robby Mexico heard about the Art Auction, he was inspired to draw this flyer. It's really cool, and it's appreciated.

Thanks Robby.

Text:

You. Come hither.

Me?

Yes, you. -- Listen closely. Art auction on January 16th. It's a Saturday. Mark your calendar. Free Food. Free Drinks. DJ sets and such. Be there... or be square.

Saturday, January 16th.

Oh no!

That poor, square bastard.

29.12.09

Sat/16th/Jan/2010: Cheap Tricks Art Auction


Good News!

On January 16th, The Peanut Gallery will be taking its show on the road-- as it always does-- to Oak Cliff for the Cheap Tricks Art Auction. This special event benefits the artists (all money made in auction will go directly to the artist), which is always good. Raymond Butler (Damned by Faint Praise's first "featured artist"), Felicia Garcia, and Jessica Terry (Damned by Faint Praise contributor) are behind this thing, and Adam Strange and myself are grateful to them for allowing us to be a part. The flyer says it all! Er... well... most of it, anyway.

We will be doing some select readings and getting to hang with some cool up-and-coming local artists.

More info here:

The Peanut Gallery

&

Here.

Right here.

On this blog.

So if you're in D-town and looking for a little culture: check it out!

24.12.09

A Decade of Shit: Worsts

Hi, Stu here.

Look, I would say that no one likes to be the one person in the room who gleefully sprays diarrhea all over everyone's parade of lists, but if I did say that, I'd be lying. I love it. If anyone believed that I would pass this opportunity on to Patrick so he could write about how much he dislikes the 'cult of Tao Lin', then you are a bigger glutton for punishment than even myself. Congratulations.

Now, as much as I would love to write about my favorite 00's sitcoms, the holidays always put me in a bad mood. Of course, I'd be in a much better mood if my favorite hooker hadn't become a born-again Christian.

5 worst sitcoms of the 00's:

5. Glee -- not technically a sitcom, but it's on the list because fuck everyone.
4. American Dad -- it's a cartoon, but it sucks. best way to get rid of a talking goldfish? fucking starve it.
3. Scrubs -- i think zach braff is talentless. someone somewhere compared him to john ritter, which i think should be punishable by being made to be the only sober person in a room full of drunken assholes.
2. Everybody Hates Chris -- i don't think chris rock has been funny since his SNL days. in fact, he's obnoxious. best way to get rid of chris rock? stop encouraging him.
1. According to Jim -- this is here only because king of queens began in '98.

5 worst news personalities (decade/contemporary):

5. Tim Ryan (kdfw fox4 news anchor): old, fat, white, whiny motherfucker who has more cash than brain cells. considers himself a curmudgeon, but just how thin is the line between curmudgeon and privileged dumb shit who basically reads teleprompters all day?
4. Keith Olbermann (nbc cable liberal version of Bill O'Reilly): smug, loud, and obnoxious. it's not that i hate him, i just don't particularly like him.
3. All those ultra conservative chicks on FOXNEWS: ugly, dumb, obnoxious, interchangeable vessels of neocon lust, these bitches know less about politics than i do about being a twelve-year-old thai transvestite prostitute.
2. Bill O'Reilly: this man needs no introduction. http://www.ruthlessreviews.com/653/a-bold-fresh-piece-of-humanity/ took the words right out of my mouth.
1. Glenn Beck (foxnews?): this man is a fucking titty baby. it's amazing: if a liberal cries or shows emotion, he/she is either crazy, a whiner, or worse, but a conservative does it, and it's passion? it's okay? no, it's not. a titty baby is a titty baby, and this guy is crazy to boot. i see him, and i'm thinking: this guy screams homosexual. but not the kind that buys you drinks in a bar because he wants to get to know you, no... one that bottles up his sexuality and hides in a closet, bashing the ones who accept who they are no matter the cost.

5 worst movies of the decade:

5. (500) days of summer -- i hate musicals. next.
4. eternal sunshine of the spotless mind -- i guess kaufman thought it'd be more clever to have this whole mind erasing shit... instead of having his characters respond normally; you know, like... going out and getting blitzed, fucking everything in sight. perhaps it is, but it's not as fun. fuck this movie.
3. jesus camp -- think of the children, my ass.
2. oh brother, where art thou? -- it's not the big lebowski, therefore it blows.
1. the 40 year old virgin -- not nearly as interesting as 'the 18 year old nympho.'

5 worst drunken benders:

5. in 2004 i woke up in bed with a girl that i thought my friend was hooking up with. she wasn't ugly, but she insisted on making me breakfast in bed. burnt pancakes and a small cartoon of oj. i left shortly after.
4. in 2006 i woke up with my jeans on. the pockets were bursting with lottery tickets. i'd bought $90 worth of tickets. i didn't win. lesson learned. er... not.
3. in 2003 i woke up pantless in a field. i freaked the fuck out. i was still a bit gone from the tequila. i realized i was in the field right next to my apartment complex when my neighbor began yelling at me. 'hey stu! stu! what in the hell is you doin'? naked ass muthafucka!'
2. in 2007 i brought a bottle of brandy to a college party. everyone was drinking beer and hitting the garbage pail punch. i started challenging the douchier looking guys to shot-for-shot contests. the general response was, 'hell yeah, brah! whatcha got there?' things commenced only after i was teased mercilessly for being snooty. for brandy! hennessy is brandy! never mind the fact that it was 7$ brandy. i woke up hours later naked on the floor under the beer pong table with three only moderately attractive coeds. i'd fucked them all. without protection. i made several trips to the local clinic. am std free.
1. in 2009 i woke up in a drunk tank after doing a series of dumpster readings. i was apparently so wasted when the cops found me that i was pissing on my own shoes and singing 'de colores.'

actually that was pretty cool.

20.12.09

Lists, I love you; I hate you; I can't live without you; it's better that you die; you complete me; you confuse me; I am a whirling dervish of passions, contradictions, and judgments!: A Decade of Bests

Lists may be the bane of the existence of many.

Recently, the contributors and readers of a website called htmlgiant have had several discussions with regards to listing and its validity or lack thereof. Lists & Polaroids / Twenty Important Translations from English to a multitude of languages / Best Movies of the Decade. Personally, my default position with regard to lists is that I hate them because I just really don't give a shit what people like. I'm not in marketing, and even if I were, simple listing would do very little in the way of mapping out demographics and such. But I usually make sure people know that I dislike lists only to segue into a list.

So, in the grand tradition of consistency (in the words of Hank Moody from Californication: "I'm a consistent motherfucker, that's why!"), Stu González and I had a drink meeting-- meaning, it was me, him, lots of paper and ink, and a handle of Highland Mist-- whereby we discussed the merits of compiling (attempting to compile) comprehensive "end of decade best and worst of" lists. We decided that we'd drink until we were legless. Whoever lasted the longest would automatically earn the right to put their "worst of" list on this blog. We fought about it, but Stu won fair and square, and instead of being the bigger man and deferring to me what I wanted, he chose to keep what he had won. As such, these entries will consist of a series of arbitrarily numbered bests/worsts from a pool of arbitrary topics: none of which were stipulated in the drinking game. The only must, is that the lists be decade specific (2000-2009).

And while it is my general position that no miscellaneous lists can be "comprehensive," I am going to make an attempt at being as thorough and concise as I can possibly be. This list will be, in a similar vein to Antosca's list for htmlgiant, the top 20 films of the last decade.

My Top 20 Films of the Decade:

20. "Fay Grim" (2006) Written and Directed by Hal Hartley/Starring: Parker Posey, Jeff Goldblum, and James Urbaniak/Hal Hartley is quite possibly my favorite filmmaker. This knowledge well-known to anyone who knows me, it is my belief that Hartley's best works came about in the 90's. This film, a sequel to Henry Fool (1997), has Hartley experimenting with camera angles, most notably, the "Dutch angle," whereby the camera is tilted slightly, adding a striking visual accompaniment to the mania of the story about a wife looking for her supposedly dead husband amidst international intrigue. Parker Posey turns in one of her best perfomances as the titular character.

19. "Time to Leave" (2005) Written and Directed by François Ozon/Starring: Melvil Poupaud, Jeanne Moreau, and Marie Rivière/Excellent, quiet little French film about a hot-shot gay photographer who discovers he has an incurable disease and chooses to tell no one but his grandmother. An interesting study into how one faces terminal illness. Solid performances and a beautiful closing shot.

18. "In Bruges" (2008) Written and Directed by Martin McDonagh/Starring Colin Farrell, Ralph Fiennes, and Brendan Gleeson/Good travel film about inept hitmen, and one the best one-liners I've heard: "You're an inanimate fucking object!". My favorite scene is the one in the restaurant where the American guy gets beat up by Farrell for being a jackass about smoking. Normally I loathe violence, but in this case it kind of made me feel good. Yeah, I'm a smoker.

17. "Dave Chappelle's Block Party" (2004/'05/'06) Written by Dave Chappelle/Directed by Michel Gondry/Starring Dave Chappelle with appearances by Mos Def, Talib Kweli, Dead Prez, The Fugees & more/This film is LOADED with exciting performances by some really great performers in hip-hop/r&b. Chappelle is charming and funny the entire way through (and you get a really good idea of what kind of guy he is in person), and it was Gondry at his most "hands-off" as a director. This film has excellent re-play value, awesome collaborative effort.

16. "Interview" (2007) Written by Steve Buscemi and Dave Schechter/Directed by Steve Buscemi/Starring Steve Buscemi and Sienna Miller/Remake of Theo Van Gogh's 2003 film is light on plot, heavy on character. I thoroughly enjoy these kinds of films, and admittedly, while I never saw the original (in honesty didn't realize it was a remake until I looked it up), I'm going to assume it took a very similar approach. Miller and Buscemi really battle one another. When two good actors can carry a movie on sheer tension, I have to give the credit where credit is due. This is a quality film.

15. "Sin noticias de Dios" or "Don't Tempt Me!" (2001/'03/'05) Written and Directed by Augustín Díaz Yanes/Starring: Penelopé Cruz, Victoria Abril, Demián Bichir, and Gael García Bernal/This one benefits from the fact that I've recently seen it, but I LOVED the creativity with which scenes set in Heaven (in French with a song in Portuguese)/Hell (in English)/Earth (in Spanish) were presented aesthetically-- especially heaven-- nouvelle vague styled (even borrowed footage from the intro to Les Quatre Cents Coups). Very tongue-in-cheek performances and treatment of the subject matter. Cruz and Abril approach sexiness from two different angles and achieve the expected results.

14. "Shaun of the Dead" (2004) Written by Simon Pegg and Edgar Wright/Directed by Edgar Wright/Starring: Simon Pegg, Nick Frost, Lucy Davis, and Dylan Moran/A romantic comedy with zombies! That was one of the taglines. If there's one criticism that many level against this film, it's the acting. But I hardly think it's fair. Pegg might have been overwrought emotionally at times, but the comedic exchanges are brilliant, and as filmmakers, they demonstrate a pretty good understanding of the genre. In my mind, nothing quite matches the original Dawn of the Dead which is amazing in just about every way and to me is the measuring stick for these kinds of films (the Evil Dead series is spectacular, but not really a zombie thing).

13. "Sleuth" (2007) Written by Harold Pinter/Directed by Kenneth Branagh/Starring: Michael Caine and Jude Law/Talk about a lineup of dramatic heavyweights. This is another remake, and a formiddable one, at that. Caine is an amazing actor and Law is no slouch (one of my favorites, in fact). The fact that Branagh is helming this thing and NOT acting as well is good news. Branagh is a fine performer (especially in Shakespearean productions), but with this film, he sits back and commands killer performances without the awkwardness of having to direct oneself. Pinter wrote the screenplay, which is strange to me since he is a playwright and he didn't write the play this is based on, but he takes thin material and makes it interesting. Caine and Law constantly one-upping one another in a game of cat and mouse is fun to watch.

12. "She Hate Me" (2004) Written by Michael Genet and Spike Lee/Directed by Spike Lee/Starring: Anthony Mackie, Kerry Washington, Dania Ramirez, Woody Harrelson, and Q-Tip/I don't think many enjoy this film as much as I do. It has its flaws (the CGI sperm and the sexual montages border on awful), but I think there are segments of it that really lift it. It's not Do the Right Thing or Jungle Fever, but it's a well executed piece of cinema at the best of times. The scenes with Q-Tip and Mackie are sparkling with chemistry, the re-enactment of the Watergate scandal was clever (powerful, in fact), and the Bonasera crime family doesn't seem as tacked on the more times I watch.

11. "Nada +" or "Nada Mas" (2001) Written by Juan Carlos Cremata Malberti and Manuel Rodríguez/Directed by Juan Carlos Cremata Malberti/Starring: Thais Valdés and Nacho Lugo/Lighthearted and visually bold, Malberti's portrayal of Cuba and her people is fun and doesn't beat you over the head with a bunch of political bullshit. It's all very subtle, understated even. And not just because it HAS to be. Just when you think it's about to get deep and serious, there's colorful cartoony scenes and goofy chase scenes. All the performances are fairly over-the-top, excepting Valdés and Lugo, who are stolid and matter-of-fact in equal measure.

10. "Man, Woman, and the Wall" (2007) Written by Masashi Yamamoto based on a story by Fumihiro Yamada/Directed by Masashi Yamamoto/Starring: Sola Aoi and Keita Ono/Apparently this little Japanese film is a "less raw" kind of a type of cinema called "pink" in Japan. I can't comment more on that because I am unfamiliar with this style. Exploitative but sensual, bordering on art-house sensibility, what I like most about this film is its overall feel and approach to the subject. It never gets too menacing or deranged, and Yamamoto treats his characters with care. Admittedly, I was taken aback by the scene where Ono rummages through his beautiful neighbor's trash in efforts to experience her more. My western sensibilities say, "Oh, that's mad stalkerish," and it's actually fun to be challenged like that. The idea of obsession is one of my favorites, and the perspective is executed nicely here.

9. "Batalla en el cielo" or "Battle in Heaven" (2005) Written and Directed by Carlos Reygadas/Starring: Marcos Hernández, Berta Ruiz, and Anapola Mushkadiz/This film will always be remembered in my mind, as the movie that made my friend Robert walk out. The sex scenes made him uncomfortable as they apparently reminded him of his parents. I asked him if his parents are tubby, middle aged Mexicans. His reply: "fuck you." Yes, there is explicit sex in the film. I love the close-ups on the characters' genitalia in post-coital comedown. It's a beautiful thing. Perhaps to some it is porn, but I find it bold and beautifully done. The repitition of imagery is done seamlessly. The story itself is about an aging couple who kidnap a baby only to have it die on them soon after and the existential crisis that follows. The supposed-to-be powerful, but ultimately hollow expression of Marcos's religiosity in the end, to me, is a statement of Reygadas's disapproval of this type of insincerity in the face of reality.

8. "Pretty Persuasion" (2005) Written by Skander Halim/Directed by Marcos Siega/Starring: Evan Rachel Wood, James Woods, Jane Krakowski, Ron Livingston, and Selma Blair/As a general rule, I can't stand films about teenagers. There are exceptions, of course, and this is one of them. Wood's portrayal of a spoiled, manipulative, and intelligent teen girl is amazing. In fact, she's a bad ass. This movie is everything Juno isn't, and that's a good thing. Kimberly Joyce doesn't betray pretensions to the hip (an annoying trait of supposed indie flicks in the last decade), she's a vindictive bitch, and she's so much the better for it. She plays sides, ignores the pain of others, all while reveling in her own grandeur. The world is her orchestra, and she is the insane conductor.

7. "Requiem for a Dream" (2000) Written by Hubert Selby Jr. and Darren Aronofsky, based on Selby Jr.'s novel of the same title/Directed by Darren Aronofsky/Starring: Ellen Burstyn, Jared Leto, Jennifer Connolly, and Marlon Wayans/Perhaps part of what I really love about this film is that is pisses my mother off so. She thinks it's one of the worst movies ever. I haven't been able to pinpoint the reasons because she's very vague, but it entertains me. When I told her I was writing this, she asked if this movie would be on it. "Of course," I say. "It has to be. Number seven." Visually, it's one of the best movies I've ever seen. Lots of juxtaposition: Closed vs. Open spaces. Crowded vs. Intimate shots. Bright colors. Dull colors. Grit. Beauty. The cinematography helps the story, and it's a story that frankly doesn't need a lot of help. This is a very honest film. The characters spend much time fantasizing about what they want their lives to be. I could say that they abuse drugs because the feeling delivered is the closest experience to the realization of their fantasies, and maybe that is right, but I don't know. Each time I watch it, I find myself flip-flopping about the end. "It's sad. No, it's happy. No, sad," etc. The only thing I know, is that it's one of my favorite films about drug usage. As an aside, Burstyn is endearing in this.

6. "Ghost World" (2001) Written by Daniel Clowes and Terry Zwigoff/Directed by Terry Zwigoff/Starring: Thora Birch, Scarlett Johansson, Steve Buscemi, and Brad Renfro/Daniel Clowes is my favorite graphic novelist. "Ghost World" is his "magnum opus," and for good reason. A grown man has never captured teen girls (another exception to my rule about teens) in a such an accurate light. Granted, there's some quirk in there, but that's only because Clowes himself is an eccentric. Zwigoff isn't any different. Their collaboration on this film makes sense: Zwigoff is the man behind my favorite documentary (Crumb), and Clowes's work has just been begging for cinematic representation. "Ghost World" is a series of sweeping statements on art, film, and life (especially as a teen-ager at the end of a stage in life). It's snobby, it's pretentious, but it makes several points. Maybe it's just a big "fuck you" to everyone. Its minimalism suggests that it might not be a visual wonder, but when you can get an almost passable performance from the thespian train-wreck that is Scarlett Johansson, it makes the luxury of having fully developed characters that much better.

5. "Kill Bill Vol. 1" and "Kill Bill Vol. 2" (2003/2004) Written and Directed by Quentin Tarantino/Starring: Uma Thurman, David Carradine, and a whole lot of other motherfuckers/Let it be said that Tarantino is one of my favorite auteurs. Bar none. Maybe not my number one, but this guy fucking BLEEDS cinema. I don't know if there's anyone as film literate as him. I might know someone personally who approaches this kind of knowledge, but QT is up there. He expresses his love by giving us "Kill Bill," an epic in all respects. Better than the LotR series, better than the three films that sum up the Star Wars series. Just better. Initially, I had considered putting up "Vol.2" as my number 5 because there was no way I was going to waste spots, but then I figured, fuck it, they are just not complete alone. Maybe stylistically, as they are drastically different in that department, but if you look at the story, they cannot stand alone. Thus the shared position. It's true, "Vol 2," to me, is much better, but I have my reasons. The second installation develops character, fleshes out the story, has the better dialogue, and is stylistically more to my liking (a hint: my favorite Kurosawa film is Stray Dog, which is a noir, NOT a samurai film). The most damning misstep for Vol. 1? Casting Vivica Fox. Ugh. Taken together, these two volumes are a love-letter to all that is fun and beautiful about film.

4. "4 Months, 3 Weeks and 2 Days" (2007) Written and Directed by Cristian Mungiu/Starring: Anamaria Marinca, Laura Vasiliu, and Vlad Ivanov/This is one of those films that reveal much about humanity without slapping you about the face with a "moral" or a "lesson" or some kind of judgment with regards to the humans involved. Mungiu uses the same approach with his characters that Todd Solondz does (Happiness, Storytelling, Welcome to the Dollhouse). He doesn't manipulate his audience one way or the other. He presents us with a picture of humanity. I remember while I was at college in Houston (a Catholic college), people urged me to see a film called "Bella" because it was supposed to present the audience with a "life-affirming (i.e, "pro-life") view towards abortion. But the subject is not so much about life-affirmation as it is about seeing that without a safe alternative, desperate women will go at great lengths to follow through on a decision that they have made about their own bodies. In a country where abortion is illegal, women are subject to a range of abuses. But this film shows. It doesn't tell. And it is extremely compelling.

3. "Amores Perros" (2000) Written by Guillermo Arriaga/Directed by Alejandro González Iñarritu/Starring: Gael García Bernal, Emilio Echevarría, Vanessa Bauche, and Goya Toledo/Hands down, my favorite Spanish language film. It starts out strong, and ends even stronger. There has been some discussion about the English translation of the title, which is, "Love's a Bitch." It's wholly inaccurate, but the sentiment makes sense. I can't be certain there is a literal translation. Amores=lovers, Perros=dogs. I say, "Dog lovers," but that isn't exactly accurate, either. Though dogs are very integral to the story. What really propels this film into something amazing is the acting (and the writing, which is sadly not matched in the next two films). There's not a weak spot in the whole damn thing. Echevarría steals the show as El Chivo, a hitman with an undefined past who roams the streets with his dogs. He doesn't get redemption, but he certainly is human as fuck, and that is amazing. You want to cry with him, as he calls his estranged daughter, desperately trying to reconnect in an act that is ultimately--and he knows this-- futile.

2. "The Edge of Heaven" (2007) Written and Directed by Fatih Akin/Starring: Nurgül Yeşilçay, Baki Davrak, Tuncel Kurtiz, and Hannah Schygulla/I am officially a big fan of Fatih Akin. The give away is that my top two films in the last ten years were both written and directed by him. "The Edge of Heaven" is a film ostensibly about death and how we deal with it. It's also about being an outsider. About being an outsider who loves an insider who isn't really an insider. Bottom line, Akin draws you in. You care for his characters, but only realize it when you hear yourself saying, "now what is he/she gonna do?" It's almost as if you are following around real people. They aren't extremely clever and witty. They aren't overly emotional, they aren't entirely detached, there's a perfect balance. Akin, being a German of Turkish descent, paints a picture of Turks who are trying to live their lives within the bounds of a culture that is not theirs. They don't fit in, and they don't try. Ultimately, this film will break your heart, because it doesn't end at all how your emotions want it to. Undying love is answered with denial, and you lose the character you most adore.

1. "Head-On" (2004) Written and Directed by Fatih Akin/Starring: Birol Ünel and Sibel Kekilli/When contemplating this list, I already had this film as number one. In some ways this film can be considered a package deal with The Edge of Heaven. It is the predecessor, but all the same, the themes are similar, and even the style is. Death is the caveat to life; random, inevitable. It can come from anywhere at any time. And that is a common theme. A driving one. One that serves as plot arc. So what makes this better than my number two? What sets it apart? It's a more compelling story. The characters are just that much more endearing. Kekilli is beautiful, and for me, I went from wanting simply to fuck her, to loving her character. Not literally, of course, but as a matter of the story. And Cahit (Ünel) goes from annoyance to seeming indifference, to the exact same feeling. The best part, once again, as a viewer, you are denied the ending which you desire.

11.12.09

Fucking is the Wave of the Past, Present, and Future

“Fucking is the Wave of the Past, Present, and Future”


If you think about it,
I mean, if you really, really ponder it,
break it down, give it the deliberation it deserves,
you realize that that is it,
that fucking is, was, and will forever be,
the single greatest motivator in the history of human-kind,
not money,
not power,
not revenge,
and it doesn’t matter what you think,
of anything else,
you can argue, passionately invalidating my positions,
with well-thought-out explanations,
with reasoning,
with facts,
with the greatest of intellectual precision,
but you know that deep down, the only reason
it even matters,
is because you’re trying so desperately to fuck that beautiful
brainy bombshell-- who is a contradiction in terms, which in
and of itself,
is something you find alluring to no end--
that sits in the back of the room or at the end of the bar (you heard her talking about string theory and popular mechanics-- at least that’s what you pretend),
and you don’t think twice,
you acknowledge the ramifications,
pregnancy, STDs, the HIV, but it’s the notion of conquest,
of sexual prowess,
of getting your rocks off,
without guilt or the strings attached,
without love and feelings matched,
without a doubt,
fucking is the wave of the past, present, and future.

(2009) © Patrick Patterson-Carroll

9.12.09

BioJunky: Man and Animal

"You see what man has forgotten is that there is no distinction from man and any other animal. We all come from Mother Earth and by using biohacking technology we BioShamanic prophets have broken the bonds of man's cursed exile and came back to our true selves."

What a load of horseshit.

King Leo, the frontman and head bullshitter for popular bioshaman metalcore band Lion's Mouth, is splayed across a beaten leather couch, half feline groupies tentatively grooming him. The King in his den, he smiles a predator's smile.

We're backstage in the Trees green room just after the King and his pride put on an amazing show. The King may be a lot of things and the least of them is he's a hell of a showman.

The rest of the band is loitering around drinking, smoking pot or getting head from groupies only so happy to have a celebrity blow his load in their face.

The King purrs out an enhanced lungful of weed smoke still smiling that wicked smile. You can tell he's been practicing.

"So King, what about people who say that you biohippies are just trying to use barely legal technology to circumvent well established laws such as laws prohibiting polygamy and under age marriage?"

"See, right there. All you media types are all too ready to label us with such derogatory terms like biohippy and CMF, custom-made freaks. Because you're afraid of the BioShaman revolution. You're nothing more than corporate lackeys each and every one of you!"

OK, don't blow the interview. Don't call the him on his hypocritical bullshit. You can't fuck this up. Play nice Adam, play nice.

"Fuck you!"

The room goes quiet. The King lets out a low growl, body suddenly tense, ready to attack. I continue with my tirade.

"Fuck you and all your bullshit. You wanna call me a corporate lackey, that's fine with me. I've never claimed to be anything other than a literary whore. But, I won't take this shit from a pampered celebritard who thinks he's the voice of a revolution when in fact all he's doing is a pathetic excuse of an impression of Bob Marley selling out."

I can feel my own fangs and claws extending. Every bone in my mutated super freaky body is ready to attack. The King just laughs.

"I like you. You've got balls."

The prick laughs and passes me the blunt he's been smoking. Blue Frankenstein, a mutated blend from out of Amsterdam; damn good weed, sativa with opiate additives.

I blow out a large cloud of blue smoke and start to relax and enjoy myself, watching the half feline girls with renewed interest.

Stop!

My brain screams.

Fight it.

Remember your rage.

Remember your hate.

I shake it off.

"Good stuff. Thank you."

The King lets out a robust laugh.

"Man, that's even better than what I got."

I pull out a blunt from the inside pocket of my coat and light it. A few puffs and the green smoke starts to blend with the already abundant blue.

The King takes it with wide eyed appreciation.

"What is it?" The King asks cautiously, sniffing at it like the animal he pretends to be.

I smile.

"It's called FED 47. A totally synthetic strain."

He hands it back.

"Sorry, I only smoke natural herb. The way Jah intended."

Ignoring the hypocrisy of the earlier blunt, I blow out a heavenly cloud of green smoke. The scent of cannibus, jasmine, and honeysuckle perfume the room.

"So you're willing to alter your body in wholly unnatural ways. Bend barely legal scientific advances to reach your own twisted beliefs. But, you won't smoke synthetic pot."

Let it never be said I didn't enjoy a calling people on their own bullshit.

All eyes in the room are no longer on the King and I. Every singe person in the room is now entranced in the aroma coming from the little tobacco wrapped joint in my hand

I pass it to the closest groupie, a tall amazonian she-beast in a fur wrapped bikini, currently eyeballing me with those "I want to fuck you, then eat you for dinner eyes."

I let out an uninitialized purr. This is not the result of some ani-graft, but something I've always done when content with myself. The King does not see it that way. He stares at me with real hate, the first non rehearsed emotion he's shown all night.

"You see King, the way I see it, the reason for the whole lion get up is you so desperately want to be someone important that you've literally rebuilt yourself into some sort of prophet totally catering to all the lost souls incapable of being their own individual selves. That's why you insist everyone around you look exactly like you, from your band to your multiple wives and girlfriends."

In a flash of tan fur, King Leo is towering over me, foaming at the mouth, a walking nightmare with outstretched arms, claws extended in my direction.

"You fucking hipster! You dare challenge me in my own den!"

With all of the considerable strength in my enhanced body, I jump up and slam my fist into his jaw in a punishing uppercut sending the King and all his intimidating mass flying back into the wall above the sofa he was just lounging majestically on.

In total battle mode, I start stomping on his face with my steel toe boots then turn around with a supernatural speed owed entirely to drunken bar fights to meet the three security guards strategically positioned across the room.

I rip open the first poor sap's chest with my claws, then punt the second one in the balls. The third one manages to tackle me and wraps his arm around my neck and starts slamming his fist into my stomach. We start grappling, rolling around, pounding and clawing each other with the viciousness of two assholes that live for this shit.

Eventually backup arrives and five or twenty security guards put the boot to me, working me over for a good five minutes untill all the fight in me has been beat out with extreme prejudice.

They drag my limp broken body out to the parking lot and leave me lying there laughing. I roll over on to my back and fumble for my cigarettes in my coat pocket. I pull out the pack and see that all of them are broken and I start to laugh harder.

"If you keep that up people'll start to think your crazy"

The sultry voice belongs to the tall lioness I passed the joint too.

"And they'll be right, sexy mama. Say you wouldn't by chance have a cigarette on you?"

"Depends, you got anymore of that weed?"

"Ya, sweety. On my bedroom counter next my condoms."

"Ya, you don't look like you'll be able to use either tonight."

I spring up like a toddler after naptime.

"Never underestimate the willpower of an orgasm addict."

As we walk off toward my loft a few blocks away I say,

"By the way, I'm Adam Strange."

"I know. I'm Fiona, Leonard's first wife."

I start laughing hysterically again.

"See, fucking nutso."

I laugh all the way home. Me and Fiona fucked all night. Then I sat down at my computer and wrote this article.

Ha! Leonard.

7.12.09

burn the idols

punk rock
hip hop
its all gotta die
what happened to originality
chaotic creativity
gone viral
this is for the individual
everyday rockstars
got their own beat
fuck radio one
i'm singing my own song
everyday poetry
real street
fuck gansta rap
when i was gansta
I never had shit
graffiti
free art
in an ugly world
here's some beauty
freeform freedom
burn the idols
kill all the old gods
let everyone have amnesia
we all start anew
iggy pop was a kid once
so was pac
everyday people
making their own reality
got the Dallas beat
pumping through my heart
who the hell are you
to say this ain't art
what is art?
art is LuLu
art is bleeding wrist
handcuffs are freedom
they say dallas is plastic
so we break the mold
melted vinyl sticking to the floor
i'm no guru
i've got no answers
fuck patti smith
i don't need your inspiration
i got my own
its like a bullet in the chamber
released
with such such sweet heat
i can't even remember
when i felt a joy like this
up in the middle of the night
writing words for no reason
conformity inspires me
break away
find something new
find your own song
cuz my shit is done

30.11.09

My Girlfriend Experience

Girlfriend Experience (GFE) is a type of service a female prostitute offers which includes acting like a girlfriend to the client.
-- Wikipedia entry

I suppose I could've written a more sexy definition myself, but such that the dictates of my economic situation are, I can say freely that I haven't the requisite experience on the matter to do such a thing. If I could afford a sexy young thing to pose as my girlfriend-- although, it seems to me that in this film, Miss. Grey is more of an escort with a romanticized view of herself than a prostitute who offers herself as a girlfriend to the highest bidder-- I'd probably choose a more lively woman.


That's not to say that Christine (Grey), who is known as Chelsea to her clients, isn't beautiful. Sure. She is. But beyond that, Soderbergh and company have managed to take a very promising tale of a young woman actualizing herself in a world where the measure of successful actualization is-- pardon the pun-- equivalent to whoring oneself out until one is indistinguishable from all the other whores out there, and turn it into a whiny snoozer that is thankfully short.

The very fact of its brevity is a problem. There's just not much there, and one wonders if there's even a point at all except to say, "well, these people actually exist." But is that good enough? Is that worth the 1.3 Million supposedly spent? I'm not sure. As someone who wishes he could feasibly follow his dream of being a filmmaker, someone who has been sitting on a developing screenplay since he was 19, I can say that I would've loved for this film to be so much more, and I'm disappointed that it isn't.

It looks good. The premise sounds delicious. But the substance is nil. Soderbergh's film is set in modern day America. In fact, one of the themes is political and economic uncertainty. Very relevant. Very now. Christine and Chris are a couple. They live together in a swanky NYC apartment. They share very little screen time together and the two actors who portray them likewise share very little chemistry. There's a very arty, very European feel to their scenes together, but there's something amiss. The camera is almost too distant, too unobtrusive. Soderbergh (commendably but ineffectively) goes out of his way to not manipulate his audience at the expense of capturing any real performances.

It is almost unbearably minimalist. Spare to the point of wondering what the director's intent was. Was there supposed to be an ironic joke in casting an "it" girl, known for her adult film roles and risqué ad appearances, as a prostitute, and then having her do zero sex scenes (in fact rarely even nude)? Not that sex scenes were necessary, but they would've lent more action to such a catatonic film.

So Christine and Chris are a couple in NYC, somewhere in 2007/2008. America is entering a recession and there are bail-outs and debates and pissing and moaning abounds. McCain is mentioned. Obama is mentioned. Characters whine about being just a little bit poorer all while flying on private jets to Vegas and ordering $60 bottles of scotch and buying prostitutes, etc.. All of these characters (save one), are white, yuppie, and obsessed with anything short of substance.

Christine is trying to modify her website and expand her reach. She enters discussions about starting a true service. She's pulling in nice amounts of money. After all, she sits in her cozy apartment on her computer (a Mac, no doubt), writing of all her various clients-- she spares us deep observations, opting for surface descriptions and Bret Easton Ellis-like attention to product-- and spends her free time shopping and eating and just looking completely fucking dull. Why shouldn't she choose the "less work" option? Then she decides her relationship with Chris is not worth continuing because she started talking to a potential client that didn't laugh at her silly obsession with astrology (I'm not making this shit up)!

Call it a "soft arc" because her revelation is hardly dramatic or a cause for introspection or even action in/by the characters (I like this, actually-- gives it a realistic quality). In fact, it's kind of confusing because things happen so fast, and character development wasn't high on the list of any of the filmmakers' priorities. When I think about the title, I wonder: "has she really acted like a girlfriend to any of these men?" One guy patronized her services because he could, another used her as a kind ear, another used her as a way to foist upon her his kinkiness (which she rejected and was then blackballed), and another used her to not use her. Stood her up. For his family. How sweet. But she was never really a girlfriend. Not even to her boyfriend. Was that the "point?"

In the end, no one has learned anything, no one is happy, and well... we get to watch Christine give a jeweler an orgasm without even touching him sexually.

24.11.09

Welcome to Fucktune (segment)

By Patrick Patterson-Carroll

Marko met up with Bernadette at the urban market behind the library. They had planned to meet at one of the usually sun-soaked round metal tables with the uncomfortable set of chairs, but it had rained the day before and the sun hadn't been around in a week, so things were still pretty wet, but brave the elements they did. They covered the chairs and tabletop with pieces of the town's independently distributed paper and sat tentatively, their collective focus torn between one another and their place in the universe according to the chairs and table. The wind was beginning to pick up and so they battled (only) briefly, then muttering "fuck it" to themselves and gathering the partially wet, partially fluttery paper and shoving it into the nearby trashcan.

"Now what?" Bernadette queried.

"I know a quiet place where we can talk. Come on."

They walked quietly west along the sidewalk, wide and empty; the traffic trickling in the street, running against them, eastbound. City busses appeared to lean on the corner like bums with their heads in dumpsters. Even farther in the distance, street preachers yelled the “word of god” as revealed by Christ, and panhandlers tested them in turn by requesting they make good on their exclamations in purely pecuniary gestures (after all, these Christians bandy about words like “charity” often). While people exhaustedly boarded the busses, Bernadette, unaffected by the urban spectacle ahead, commented on the dead air between them.

“I generally try to think before I speak. As my brain is occupied, so my lips are sealed,” said Marko.

“I do, too. I guess I’m being impatient.”

“I think you’re fine.”

“Good. Where are we going?”

There was a small park on the southwest part of downtown which was situated around a large serpentine sculpture that Marko had always found "ugly as fuck," but the benches were comfortable and obscured by trees. This, giving the clean green ground an intangible feel of intimacy, of easily traversed boundary, made him feel like an outdoorsman-- rugged, yet urban (or is it the inverse?), he could, in just a few steps, be his usual metropolitan self.

He gestured to Bernadette to sit. The wood of the bench damp but not wet, she dabbed her fingers at the ring-patterned surface, and then smiled and sat, crossing her legs ladylike. In the silence, he found himself being stalked by his libido. Blinking several times and trying to focus on a thought to make into words for Bernadette, he knew that the task was futile. His libido was fucking with him. Nude, pale, and poking its penis into a blow up doll that looked like one of the local weather ladies, this pathetic manifestation of his libido smiled and winked at him.

“I’m thinking of quitting my job at Neiman,” she said.

“Huh?”

“My job? I told you about it. I do retail for Neiman Marcus. It pays the bills, but I get so sick of all the snobby old hags that patronize the counters, ‘I want this, and this and this just like this dear, and if you would be oh so sweet, could you wrap it and put a nice bow on it... maybe spritz some perfume on it.’ Bitches. I wish I could shop all day and still make money. It isn’t fair.”

“I sit in a cubicle all day and twiddle my fucking thumbs. I make shit for it, too. I’d rather flirt with old hags than be a hamster in a cage. Spinning and spinning and sitting and sitting and monotony the only constant....”

Through the gusts of wind displacing her hair, Bernadette looked at him expectantly as if to plead, “Yes...? yes? There’s more, I know there is!” But he just stared at the belly of the sculpture, trying to ignore his libido as it thrust quicker and quicker into the doll. He tried to think of ways to recreate the sparks that flew the other night in the sports bar. His penis was beginning to knock on the door of the crotch of his jeans. Folding his arms into his lap, he said, “Have you ever known someone so attractive that the very idea of not being able to behold such a sight was heartbreaking?”

“No. I don’t care much about looks.”

“Hmmm. No... hmmm.”

“Yeah, I prefer guys with money,” she said, choking out laughter.

They were silent. The trees quivered with each bluster of air from the southwest. She settled her purse in her lap, opened it, and pulled out a shiny metal case. Inside were four cigarettes and one neatly rolled joint. Extruding the joint with a smile, she shifted her body-- legs still crossed-- toward him. Like in the bar with the cig, she pokes the joint in his direction, "Want a toke?"

"Nah. I'm already seeing weird shit." She crumpled her face, withdrew, and put the joint between her lips. Marko watched his libido. It was done fucking the doll and was smoking a cigarette. He could smell the marijuana smoke and he could faintly hear her making excuses for why she does it. Of course, he didn't give a fuck about her justifications. A little pot every now and then never killed anyone.

He turned and smiled at her. For a moment he considered reiterating his previous question. His libido was escalating the game by pissing all over the doll. Perhaps it was a bid for attention, or maybe a devolutionary swing toward fetishism, but all the same, in that space of time he wished he were high, drunk or dead.

"Let me hit that," he said, and she gladly handed it over. He drew from the joint and pondered what all the fuss was about. He turned to Bernadette and said,

"The way lawmakers talk about this shit, you'd think it'd be more interesting. This has got to be the most boring, everyman drug there is."

"Are you badmouthing my weed?"

"Eh."

Silence.

"There was this one guy," she said, blowing away some ash that had accumulated in the cherry's wake. "He seemed to me like the quiet, mysterious type. At first. Had this very Slavic look about him. Angular, edged face, blue eyes, light skin, one of those Owen Wilson noses, and was very solidly built."

"Hmm. So what was wrong with him?"

"How'd you know?"

"How'd I know what?"

"That there was something wrong."

He thought about her question for a moment and then told her that in his experience, young women made excuses not to stick with men whom, to their own specifications, were physically attractive, but had some kind of nagging, perhaps even trivial personal issues. She laughed at the suggestion, and told him that he watched too much fucking Seinfeld, which, to her mind, was a display of male pettiness and socially arrested neurosis.

“And don’t you dare bring up Elaine,” she added. “Females are outnumbered like, four to one on that penis fest.”

“Uh... I don’t watch that show. But your defensiveness is duly noted.”

“Whatever. Anyway, this guy. I used to follow him around. Stalk him. Kind of. Around downtown. Rides a bike, I know. So one day, I followed him into the coffee shop on Commerce and stood in line behind him. When he finally noticed me, he smiled...”

...

“And?”

“And I smiled back. He took this as license to sit with me by the window. We exchanged pleasantries, but the more we small talked, the more bored I became. I did the ‘uh huhs’ and stared into his beautiful eyes.

“Amazing thing is, I was back at work, leaning on the counter, daydreaming. I don't even remember walking back or even parting with the guy. You know? Like there was this large patch of time that I’d lost. Fell right into oblivion. I couldn’t remember anything of what he said. Not his name, what he does, or even what he thought about the weather. But I will always, always remember his eyes and his skin. And that nose. Mmm.”

Marko laughed at her swoon. The ridiculousness of that girlish expulsion of breath at the thought of a man’s large, crooked nose. He was a little annoyed, disappointed even, at the thought of the moments wasted in listening to her eventless story of aesthetic stimulus lost, and his libido only sat naked, Indian style in the grass, hoping to get a peek up her dress.

Initially he thought it bizarre, this hallucinatory manifestation of his libido, behaving as a seasoned fetishistic porn star one moment and in the next, as a child with a healthy sexual curiosity. But it made sense, because in his mind he was conflicted. He wasn’t quite sure how to view the woman sitting next to him. Possible on-again-off-again fling? One night stand? Unstable relationship characterized by frenzied, passionate sex with an underpinning of empty conversation and boredom?

The woman who at first so stunned him was beginning to, for reasons in that moment unbeknownst to him, grate on his patience. After a time, he blinked rapidly, hoping to shutter the pasty little fucker out of existence. Finally, she returned to his cognizance, offering him a cigarette which he declined as he stood up to stretch.

“Where are you going?” she asked.

“Nowhere. Just stretching.”

She lit the cig.

“So... what’s your story?”

To mention Denica, for him, would’ve been to once again tramp the fields of lonely disappointment. Bernadette observed him with intent, with demand. He didn’t think her revelation deserved that kind of “blood,” but as prevarication wasn’t an option, he decided to tell her. Fuck it. There was nothing to lose, and even less to gain, he’d realized.

“Denica.”

“Denica?”

“That was her name. She was beautiful. I didn’t really know her. She was an aspiring model from Mexico. An itinerant, she spent some time in my apartment. We didn’t talk lots, but when we did, it had an impact on me.

“She always had the sweetest way of describing me. In Spanish. I never understood any of it. She could’ve been calling me an emasculated momma’s boy for all I knew, but it was beautiful. And so was she. I was depressed for weeks after she left.

"The busker dude downtown played a lot of Rod Stewart tunes. Shit’s depressing to me. I must’ve dropped thirty bucks in attempts to shy him away from that particular part of his catalogue.”

“Wow,” she said in a voice tinged with boredom, exasperation. The conversational welcome between the two appeared to have worn itself out. There grew a tension between them suddenly-- though it’d been developing slowly over the course of their interactions-- that was neither sexual nor rancorous; it was somewhat indifferent, but altogether discomfited.

In the silence, she unearthed one of those cell phones that do everything but perform oral sex and began fiddling with it. Marko watched his libido as it became more brazen, running its fingers along Bernadette's silken legs. He met eyes with the pallid form and they exchanged smiles. The libido licked her knee with its tongue and said that the best thing about fucking a new woman was that she'd have no idea what a shitty lover you were until after the fact.

©Patrick Patterson-Carroll (2009)

15.11.09

In the stream of conscience: memory & ??

"Amnesiascope" By Steve Erickson



I'm late to Steve Erickson's oeuvre. The book, with its sleek cover design (UK's Quartet Books) and curious title, beckoned to me from the shelves of Paperbacks Plus. I read a couple of paragraphs in the store and decided to give it a try.

It's not exactly sci-fi and it's not exactly speculative, but the element of a setting that differs very much from the one we exist in is enough for me to pay the appropriate amount of attention (much like the futuristic vision of London in Tony Maylam's Split Second starring Rutger Hauer-- i.e., not very futuristic at all-- just different). Particularly of note is Erickson's "post-quake" rendering of L.A.

The narrator, apparently a  literary doppelganger semi-autobiographical representation of the author himself (referred to in a correspondence as 'S'), is a man in pursuit of memory. In existential terms, one could say he is in pursuit of that which is his very essence. There is mention of his past, his loves, his losses, regrets-- no chapters, only ellipses and divisions of streams by fancy marks-- but there is no real mention (nothing detailed) of the event that set his present in motion. He works as a movie critic for an unnamed paper and is part of a supposed "cabal" of writers and editors that conspire to do... (?) and he lives in an old hotel-- transformed into something like an apartment complex-- run by a suave Palestinian "terrorist" named Abdul.

Los Angeles is a shell of its former self, seemingly populated by shady men and seductive women, the latter of which being much more intelligent than their masculine counterparts. The reason for this, what Erickson does here, is not by design so much as it is by necessity. His narrator is bright, self searching, sensual by degrees of subtlety, and cannot function without a woman in his life. Viv, the most important of these women, his lover, departs for Holland to point a "Memoryscope" toward L.A. in an effort to "balance" her project, and as a result, his life becomes more complicated and devoid of meaning. His car is stolen, the paper he works for is falling into disarray, and his "fake review" of a "fake film" called "The Death of Marat" is turning into a nightmare of very real proportions.

Some of the better moments in the book involve the narrator's cinematic endeavors. He recalls his journey from novelist to critic, and even more interestingly, appropriates a chance meeting with an interesting woman in a bar in a screenplay for a project Viv conceived called, *White Whisper. Unlike many introspective efforts about artists, Erickson's narrator is active. He doesn't lounge in perpetuity. He doesn't idly ponder or too deeply intellectualize his search for meaning. For recovery of memory, his only bastion in a world that is difficult to define. Hell, he doesn't drink to the point of incoherent ramble or consume gargantuan quantities of drugs in this search. No. He's a workhorse. He simply exists.

When the female hotel residents seek to have the already demoted Abdul removed from the premises, he inquires to the veracity of their damning claims, saying that when the truth comes out-- if in fact the allegations are true-- he will sign their petition, but until then, it's a no go. He doesn't bow to bullying or reactionary mentalities. He is, for all intents, a creature of ethics.

In Viv's absence, he is impetuous and unsure. Erickson makes it apparent. The narrator kowtows to the bar seductress's (Jasper) need for him. Something is wrong. And he caves. He goes to her secluded residence and gets sucked into a strange interrogation that refers back to an event that may or may not have happened.

"It was you in Berlin."

Hmm.

At some point there is a loss of time, and he wakes up floating in a tank flooded with water. Jasper is with him. He later gets his stolen car back and drives across the western states, eventually ending up at a film festival he was invited to... in an absurd completion to his joke taken absurdly "too far," showing The Death of Marat.

Erickson's writing is sharp, intelligent, lacking in pretension, and most importantly, funny. *The film White Whisper is a confessional film wherein women are interview by an artist while she paints them. They are nude in the interview. At some point the narrator himself is injected into a scene, nude so he can feed the artist lines. The justification for it was a beautiful display of what feminism should be. Logical and equitable.

4.11.09

No Silver Lining

It was definitely broken. I could tell that as reality returned, as I emerged from the long dark tunnel of unconsciousness , eyes squinted against sunlight... or perhaps in wince.
" You really did it this time."

A voice chuckled at me. I recognized it as my friend David. What a dick.

The events of the night slowly rolled back. They were of course clouded by beer... copious in quantity and capacious in quality. I recalled snippets in visions like those plastic goggles you have as a kid; the kind you look into and hit the button to rotate the film, switching between slides of animals and shit.

Last snippet I remember is looking down at a big blue blotch, dark in the corners, light blue where a ray of light pierced through the middle, adorned by a crowd of inebriated onlookers, piqued by a potential display of bravado or idiotic carnage... Jim's pool. Had to be. Even in my most delusional nightmares I'd recognize the gaudy lawn set his parents had given him... a throwback to the last huzzah of a breed that nearly became extinct in the 80s - hippies.

I had finally done it... for years I'd told Jim that I'd jump from the roof into that damn thing. He always called me a pussy. I told him he had to set me up on a date with his sister if I jumped into the pool. He shrugged and said "fine".

"Hey man... at least you're famous now." David informed me through a sly grin. He spun in the chair next to my bed and turned the monitor of my PC towards my prostrate body.

"Great...." escaped my lips in a sigh.

My immortalization went like this: I was focused through the camera, my hands skyward in the infamous Nixon. Mumbled amused voices, camera panning out to the pool. A few cries of "DO IT!" and "NO BALLS!" and "PUSSY!!!", a brief pause in sound... in video actually... some fucker mixed in a cut of R.Kelly's I Believe I Can Fly. I made to leap, but had too much liquid courage, and not enough dexterity in me. I pushed off... but should've run... maybe. My feet flailed as if pedalling an invisible bike... I fall short of the water by a foot and smash to the ground like flesh without a skeleton... Attempt to stand... vomit profusely, noticing the sound returning to what the camera had recorded, amplified wretching sounds as if I'm calling dinosaurs. Then I fall backwards onto a patch of cush grass that lines the pool.

The redemption... if it could be called that came when I stood up, my bare chest resembling a pizza, or some saucy italian dish, and walked inside, with David running after me. The credits rolled. "Starring Ryan as Superman", a cropped photo of my trashed midsection designating my role. "Sponsored by Dos Equis... Jose Cuervo..." "Guest Starring as Kryptonite, Gravity"

David glanced over... and I knew what he was thinking... Shit, I was thinking it too. "Don't even say it."

He started laughing, he'd say it anyway... who am I kidding? I would've too. "This is the same shit we regularly view on the net and laugh at until we're hoarse." His smile didn't move from his face, and one even started creeping across mine. "Plus side..." He displayed, scrolling the screen down "19604 views in the first 16 hours"... the dick.

I placed my estimated time of departure at... hmmm... 0300, with arrival at 0301... which made it 1900 or so now... the booze out of my system, my skull feeling much too small for my brain, and my ankle entirely too big to fit into any of my shoes... at least only one of these things was irregular for a Tuesday morning.

"Well at least I get to take Jim's sister out." I smirk, looking desperately for the silver lining to the looming cloud of medical bills and humiliation.

"Jim says its a no go bro." David stated, dropping his eyebrows and sucking air through his teeth.

"The fuck?!" I bark clenching fists and sitting up, immediately wishing I hadn't, as white hot pain played a game of hyperspeed Pong between my shattered foot and hungover brain.

"Dude... You didn't make it into the pool. He says the deal was for you to jump from the roof into the pool. Hell, he said if you'd fallen forwards instead, making it into the pool he'd've even paid for the night after seeing the angle of your foot on impact."

"Balls."

-Matthew Royall

3.11.09

FUCK YOU, an interview with a douchebag

Some fucker had the audacity to ask me for an interview after a reading. So I gave it to him.

He was white, tall, had long hair, and wore glasses. Argyle sweater. Apparently his name was Pete.

Pete: Hi Stu.

Me: Hi Pete.

Pete: So, what's your chapbook about?

Me: It's poems about the aftermath of drunken sexual encounters with strange women.

Pete: Oh. Doesn't seem very riveting.

Me: I guess not.

Pete: Wouldn't you agree that the subject has been beaten in much the same fashion as a dead dog?

Me: Probably.

Pete: One of the poems you read, I found, was very offensive to women.

Me: Oh.

Pete: Aren't you going to defend yourself?

Me: Nah. In fact, the subject bores me. Sex and drinking is infinitely interesting, malleable; while gender politics seems to be the sole focus of the intellectually stunted.

Pete: That's a bold statement.

Me: Only if you think there is some kind of intellectual fulfillment in making the dialectic of the penis vs. the vagina the point of convergence for all of history. If you're a guy, I think it's even more useless. Foolhardy. Dishonest.

Pete: Oh. Well. Don't you think you're just contributing to the further...

Me: Hey, can you buy me a drink? I'm trying to save up for an eightball later.

Pete: Uh...

Me: Nevermind. Hey, your questions are boring as fuck. Why don't you ask me about our justice system? Something important. You're wasting my time.

Pete: Who is your favorite poet?

Me: South Park Mexican.

Pete: Who?

Me: I gotta take a shit, dude.

---

I get out of the can, and he still thinks it's okay to interview me.

---

Pete: Why do you mix Spanish in your poems? Seems affected. Adds nothing to the meter.

Me: Hey. My last name is González; makes sense, right? Is your last name douchebag? Because you're mad reppin' that right now.

Pete: I hate that word. Even for an ad hominem it's bad.

Me: You're right. Strike that from the record.

Pete: It seems sexist.

Me: Hey, do you have sex with girls or boys?

Pete: Girls, dude.

Me: Ever had sex with a tranny?

Pete: Uh. No.

Me: Me neither. I don't think.

Pete: What is "Coyote Real Fuckin' Ugly" really about?

Me: It's about the fact that I'm just another male pig wallowing in a sea of mud and excrement, who has no appreciation for the love of a good woman. The fact that I am trying to escape from her is a testament to my very weakness, and indeed, the weakness of all young males. Shallowness. Frivolity. Triviality. The entrancing lure of homosexual lifestyles.

Pete: That's kind of what I suspected.

Me: Hah.

Pete: Do you think the world needs more of this poetry?

Me: I don't think it matters. You are the arbiter of your own taste, and if something you read offends your little namby pamby fucking senisibilities, then perhaps you should stay away from the elements that spawn said scribblings.

Pete: Hmm... I don't get it.

Me: It's hard to get anything when your head is wedged up your asshole. Where's my drink?

Pete: You know what? I don't think you're tough at all.

Me: I don't think I even insinuated a stance of toughness. You're inferencing. Projecting, probably.

Pete: Fuck you, dude. I don't think you're clever, and your chapbook sucks. Everything inside it is cliché riddled and empty.

Me: Thanks for your assessment. Can I get that in a blurb? And fuck you, by the way, you emasculated, sanctimonious prick.

---

At this point, he shoots me the bird, and exits stage left. As for me, my night wasn't done. I had to clean the tables in order to cover my tab. Good times.

FUCK YOU.

25.10.09

Selections from my forthcoming chapbook of poetry, "AHORA, TENGO QUE IR; ¿TAL VEZ UN DÍA PODEMOS TOMAR UN CAFE? or ¡ADIOS Y GRACIAS POR EL SEXO!"

Hi, Stu González here. I know no one really reads this shit, but I'm like, in the words of Bart Simpson referring to Prinicpal Skinner, a no-giving-up-school guy.

So!

La vida ha estado muy ocupada para mi. ¿Y para ti mismo (a)?

Patrick and I had this idea that I could do, a la Gustavo Arellano, something called "Preguntale a Un Chicano" and I would answer questions from non-chicanos about chicanos. We bounced this thing around like a beach ball until the damn thing flattened. Patrick said it was "derivative, not creative, lame, 'just something to ruminate on'" I thought it was a bad idea because I considered how I might react the first time some pinche puto cavrón asks me why we are "so proud."

Anyway, for the last few months I've been putting together a carefully thought out, thematically cohesive chapbook of poetry. I'm looking for takers. Despite the title, all poems are in Spanish and English.

Ahora, tengo que ir; ¿tal vez un día podemos tomar un café or ¡adios y gracias por el sexo!

... is filled with morning after regrets and rejoices, rallying cries and escape plans.

"Coyote Really Fuckin' Ugly"

i woke up and didn't even have to think.
her face was turned, buried in a pillow, but i knew.
i'd gone and done it again.
i was naked, but luckily my arm was not around her.
i got out of the bed and searched for my clothes.
i heard her snort, cough and shift.
my heart rate rose.
my chest was like the speakers of a sub woofer.
i turned to her.
she was smiling at me.
her teeth were crooked and stained from nicotine.
her hair was stringy, greasy.
"no entiendo ni hablo inglés," i squeaked.
"aww. pablo. my sexy man. don't be silly!"
i didn't even want to think about the fact...
...that she called me pablo... for when she raised the covers and
kicked up her legs, i was blinded by BUSH!
she offered to make coffee.
"claro, claro," i said.
she kissed me on the cheek and in a haze of bed smell...
moved past me and through the door.
hastily, i re-dressed, made sure i had my wallet,
made sure i DIDN'T have the condom that i'd been carrying,
(good on both fronts)
and opened the sliding glass door.
time for pablo to blow this hag haven.

MOTHERFUCKER!

this bitch lives 3 fucking floors from the ground!
so then i had an existential crisis.
"¡piensa, pablo, piensa! ¿para saltar o no?
i looked behind me.
coast clear.
but suddenly, i heard a "psst." from above.
"young man! i don't mean to pry, but... coyote ugly or forced marriage?"
"coyote ugly, señor."
"ah, well... forced marriage here. 15 years. look at it this way, you could be on my floor."
&&& S.G.

"La Novia que no Sabe Nada"
"The Girlfriend that Knows Nothing"

For the first time in my life
I had two girls at once
For the first time in my life
My girlfriend wasn't one of them
For the first time in my life
I had breakfast not at Denny's
but on my own gas stove
buttered tortillas
como mi mamá siempre las preparó.

For the first time in my life
I was alone and everything felt good
For the first time in my life
When my girlfriend came home
she suspected nothing
she usually suspects everything
because I'm out eating Denny's
after a binge with my friends.

Ay, she knows nothing!
&&& S.G.

"Friends, Brothers, Their Sisters, My Lovers"

--for posterity, may they learn all the lessons i had to, in every conceivable way--

one night i promised my buddy that i'd never hit on his sister.
his hot sister.
of legal age.
and one night while drinking and smoking and talking
we were sitting inches apart
and she confessed that
she liked smoking and sex and tattoos.
oh really?
¿en serio?
well then.
i showed her my tattoo of Raquel Welch
"did you know that she's a latina?"
"yes. very beautiful."
"indeed."

she noted that i have a reputation.
curious.
for what?
"well. showing off your tattoo of Raquel Welch..."
there was an and.
i knew.
"...and fucking my friends' sisters?"
"yes."

soon after we were kissing and petting
O, ROMANCE!
O sweaty, drunken, sloppy romance!
we had each other on the couch then on the floor
and for a few hours more
we talked and smoked and then she got a wild idea.

we got matching tats.
mine said, "i fucked your sister."
hers said, "i fucked your friend."

the next day, her brother, my friend, we sat and talked
for what seemed a time without end,
and he couldn't believe i'd do it to him.

haha haha haha

didn't you know, that nothing is sacred?

BUT.

"in my defense, i never hit on her."
&&& S.G.

"It all started with a conversation about Warren Zevon"

It all started with a conversation about Warren Zevon.
Me, a studious but hard drinking pupil of rock & fuckin' roll,
Her, a cocktail waitress/queen in need of a king,
By the time we realized that our collective shit was fucked up,
We decided that sleep could only come once we were dead,
Or after a night of raging hard-ons satiated by much needed friction,

Then we went to her place, had drinks, listened to some records,
And when I went to kiss her, she was not a whore nor slut,
But a beautiful queen,
Stuck in a rut,
Tut tut tut,
This is a caprice, and sex is a many splendored thing,
She said, "I guess" and we continued to drink and drink and drink,
And the vodka was screaming, I couldn't think,
Were we listening to the Dolls or Rundgren?
Was I Sid Vicious and she Nancy Spungen?

We rode one another into the morning,
And when I woke up and smoked the last cig,
And thought a final thought,
I dedicated it to Zevon, the man who made it all possible,
To fuck and flee and never get caught!

&&& S.G.

(2009)

24.10.09

Asshole

I saw her again today.
We noticed each other at the same time and pretended not to.
Awkward glances greeted by half hidden smiles as we passed each other in the hall.
"Asshole."
Whispered so low I barely heard it.
This is the second time I've seen her in a month.
The first time was at a bar, Lee Harvey's.
I was walking to the restroom when she said hi.
I smiled.
"You don't remember me?"
I was froze.
"Asshole."
"I worked at the Elbow Room."
Twenty some-odd servers worked there in the year I worked there.
"Asshole," she said as she walked off.
Sitting back at the bar I tried to place her.
Oh, ya.
Hot rocker chick.
Tattoo sleeved on her right bicep.
The other cook and I started hitting on her the first day she worked.
The usual questions.
Where are from?
What type of music are you into?
Slayer.
Dead Kennedys.
Alright!
She seemed interested in me.
Probably the mohawk.
Then she asked THE question.
"Do you guys like Testament?"
Shocked I asked "Are you a born again christian?"
Yes.
The other laughed.
I couldn't hide my prejudice.
"I bet you like Creed too."
"Asshole."

(untitled)

I lie down and pray to my masochist mother. With one hand on my crotch and the other on my heart. That in the end I get off my knees, wipe the cum from my chin and actually have the balls to be a man and not just another punk rock poser that sells his soul to the highest bidder and kills his misery with another shot of bourbon to the heart.

Well, Bukowski's liver gave out and Thompson blew himself up and I'm sitting in this bar with two thumbs up my ass while singing songs about masturbation and believing that I'm better than I really am.

Every loser has a story and I have a novel of rampant alcoholism and chronic masturbation, trying to prove to world that I'm not just another failure, when I know that it's a lie and I'd whore myself out to another trick with loose change and a spare cigarette sing Tom Waits tunes while they beat me.

So instead of doing something
with my life, I'm drinking cognac from a dirty glass and daydreaming of pornstars and good weed while pretending to work for minimum wage and looking down on people I consider to be less intelligent than me.

Well, if Arnold Schwarzenegger can be governor of California, then Ron Jeremy can be president and I can be the UN ambassador to a third world country where the women walk around topless and won't laugh at the size of my penis and the liquor never stops and I can finally die in peace.

23.10.09

Movie Review: "Gegen Die Wand/Head-On"

"Gegen Die Wand/Head-On (US title)"

Written and Directed by Fatih Akin

With: Sibel Kekilli and Birol Ünel

I have tremendous respect for German director Fatih Akin. From a substantial standpoint, I believe he does what most of the best filmmakers do. He doesn't moralize. He doesn't instruct his audience, demanding judgment or teasing feelings forth one way or another. If there is any manipulation, it is very subtle.

So, I was blown away by "The Edge of Heaven" and was informed that "Head-On" is even better. I agree. Both films are similar in style, formula, and theme, but what is particularly powerful about the film I'm reviewing here is, and here's what I don't bring up often: how it made me feel.

More on that.

Cahit and Sibel are two different people with only one two things in common: they are crazy, and they are Turks living in a German world. Now Cahit, who has lost his wife and has attempted suicide by driving his vehicle into a wall, is a very assimilated, very drugs (mostly alcohol) and rock & roll kind of guy. Sibel seems to come out of nowhere (with no expository info except for maybe allowing the viewer to infer that perhaps she's attempted suicide a few times) and demand that he marry her. He thinks this crazy, and doesn't so much verbalize it as shrug her off. He eventually takes her for a drink, where she again entreats him to marry her: "I cook, I clean, I like to fuck." And when she, in a cry for attention, tries to kill herself in front of him (in that very feminine, "I'll show you, I'll slit my wrists!" sort of way), and they later get kicked off a city bus (largely for being noisy, but more probably for being Turkish and announcing it), the courtship seems to end where it began.

But...

Eventually he agrees. The scene where he and his "uncle" meet her family is interesting in that Cahit is so obviously not comfortable. He is taking part in a charade in which he has ceded all power to Sibel. The funny part is that he can't even keep his lie straight, and his Turkish, as noted by Sibel's brother, is awful. Perhaps this is sabotage. Perhaps it's nerves because he believes that if he fails, the crazy bitch'll really kill herself. Whatever it is, I'm already with this guy. In for the long haul.

So they marry; Cahit is fucking a hairdresser/barfly who hooks Sibel up with a job, and Sibel, in her youthful ways, enjoys clubbing and fucking random guys she meets. Their lives are shared only by law and by the four walls they sleep within. The beauty is that there's this tension building between them. It's a definite arc. Of a natural kind of romantic tension. The kind where they are both reluctant to realize something more intimate. Even to the point where when they decide to finally consummate, she can't follow through. This creates a suppressed kind of longing in Cahit.

I identify with Cahit as he slowly, unbroodingly falls in love with Sibel. You're quiet, but you don't stare out of windows on rainy days, or make indie music mixtapes or profess feelings in quirky ways, no. This shit's for real. No "aww" moments here. He sits in his flat while she's out one night, shooting a bb gun, looking at their wedding photo. Probably wishing it all wasn't so fucking fake. Okay, maybe that's a tad quirky, and brooding, but not intentionally. If there's a particular reason for it, Akin doesn't bother to spell it out or accentuate it through repitition. It just exists. Fine. She's young, beautiful, and nurturing in a way that is welcome for any lonely man. That is, if you don't mind your shithole being redecorated to accommodate her aesthetic needs. I mean, after all, shithole is the operative term. As damaged as she is, who could not appreciate her?

One night, Cahit, plaintive and drunk (as if the two were disjunct), ends up killing one of Sibel's lovers. The guy is bad mouthing her. She's not around. He knocks him the fuck out. Guy doesn't wake up. Now, normally I'm of the opinion that violence is bullshit, but I felt very sad for Cahit. This wasn't some random expression of machismo, it was the act of a man in the throes of drunken passion.

As one would expect, it all goes down hill for the both of them. He goes to jail, Sibel's family in Germany are disgraced by her, so she flees to Turkey where she works in a hotel managed by her sister. She does drugs. Gets raped. Gets beat up in a dark alley of Istanbul. Shit's getting hopelessly depressing fast.

When Cahit manages his way out of the clink somehow, he endeavors to find his love. Her life has changed. She has a child, and presumably a new life. There's not a lot of focus on this, because now the film is about Cahit... as it really always has been. The most powerful scene to me is near the end where he finds Sibel's sister, who refuses to tell him of her whereabouts. For some reason, and I don't know if this was written into the script, or if the actors decided to throw in their own bit of improv, but they switch to ENGLISH. Up until that moment, it was all Turkish and German, and then out of nowhere, Cahit explains his feelings en breve and that was all it needed. So little said so much. English, so denounced in some linguistic circles as being simple and inexpressive, grabbed me by the throat. He. Fucking. Loves. Her.


So beautiful.

Of note: I have talked very little of the compositional make-up of the film. The cinematography is beautiful but understated. A lot of beauty comes from the settings. In particular, there's a continuous musical underpinning filmed in front of a seaside cityscape.

20.10.09

Poppy

She was a 12 year old slant-eyed hooker from the west.
Her name was Poppy.
Poppy had a thing for the spics.
She said she liked a man that wasn't afraid to kill. She still hadn't made it through puberty, but she was as well worn as any penny ante whore in this godforsaken city. She liked playing with my revolver.
Cocking it and pointing it at me even though she knew that the hand under the pillow held a boot knife sharper than her pimps tongue.
She liked to dance to the the blue smoke that flowed from the holes in her arm and vomit black tar.
She says it's the only way she can sleep. She liked listening to Lou Reed albums and crying in the rain.
She says that it's so beautiful, it makes her eyes bleed.
Poppy liked to strip naked for me and play with herself while I masturbate then lick the cum off the ground.
Poppy use to call me Daddy.
"Daddy don't you love me?
Daddy don't you need me?"
Poppy liked to hear me sing the blues.
Poppy loved to shake her money maker.
"Daddy will you take me to Chicago?
Daddy will you take me to see Buddy Guy?"
Poppy loved to dream.
I loved Poppy the way the way i loved my coke, raw and wet, uncut, pure. Poppy use to piss me off.
"Where are you going daddy? When can you take me with you? When are you going to take me away from her, Daddy?"
Poppy likes to steal from me.
She steals my dreams.
My poetry.
The whore.
Poppy is my savior.
I love you Poppy, who ever she was?
I'll never be able to tell you in person, but I do actually love you.
To hell with you.
Fuck you.
I love you, Poppy, fuck you.
And fuck me.
And fuck this whole little fantasy of mine.

18.10.09

Taxonomy is usually a method of Categorization.

Taxonomy One. 35 with 2 children. He gazes forward into the sky through the office window. 47th floor. He knows that at some point that once milky white phone with all the blinking lights, now covered with smudges, will ring. He knows that ring will throw tantrums in his ear canals. She'll call him to tell him that it's over. They're done. After 13 years. He wants to cry. He wants to scream for his secretary. Secretary. That's right. That woman. Women. They're the problem. Always have been. Maybe today he'll just surprise them all. Maybe he'll get up from his cluttered desk, take in a deep breath, adjust his tie, walk over to the big office window, survey the traffic 47 floors beneath him, laugh, walk back to his phone, dial up the secretary, tell her to cancel all his appointments, hang up and make a running start at the window. Maybe.

Suddenly he remembers something his foreign exchange roommate back in college told him about women in America. He smiles for the first time all day. The phone rings.

(2008)

Taxonomy Two (Rugby House) 10:45 PM, Arrival. There’s a cigarette between my lips and a gathering out back. I hop the fence and greet the strangers at the table before me. They break conversation for a moment, stare, and continue. The cigarette takes forever to burn and I’m thirsty. 10:47, I balance the forever burning cig on a nail that protrudes from a shingle of the shed and run into the kitchen via the den. Quiet party thusfar. "Jungle Juice or Shiner?" "Jungle Juice, my man." The coloration of the red cup in my hand nearly matches the pigmentation of my newly acquired tan that only goes as high as the sleeves of my shirt will allow. I soberly, clumsily stumble my way through the den and back outside to find my cigarette still balanced on the nail. Victory. 10:55, Girls, girls, girls. Well, three of them anyway. They’re talking about how great it is to be women. Why? I have no idea. I tell them about the horrible nightmare I had the night before. They guess quite accurately that I’d dreamt of being a woman. "It was horrible," I say, "I was short, had huge knockers, which, admittedly, were fun, but worse was that I actually knew what 'colors' like lavender and periwinkle look like. Weird." They laugh and I laugh, but laughter is followed by an awkward silence. 11:07, Flirtation. Dalliance. Her name is Nancy. My name is what it’s always been. At parties, anyway. I offer her a cigarette. She says no thanks, I’m breathing. I mockingly laugh at her sarcasm and tell her that trenchant females are just my type. She doesn’t know what trenchant means, and I gasp in shock because she claims to be an actress. She sips her drink, and darts her eyes in other directions, perhaps looking for a more attractive, less annoying guy. 11:32, Some of my pals show up. I’m working on my second cup of jungle juice, and from my vantage, I can see that the den and kitchen are packed with people itching to not be sober. Wes asks if I’ve had any luck. I assume this is in reference to women. "What do you think, man? See a woman attached to my arm?" 11:53, Dancefloor. Shitty music. No one cares. Pretty girls, though. 12:09 AM, Almost done with my second cup of jungle juice. Feeling nothing. Dreading the line in the kitchen. For some reason, I keep looking at the foreign exchange girl in the corner. I’ve seen her around campus. She’s pretty. Hmm. 12:15, Cup number three. After the hellacious line, I step outside for another cigarette. I notice my thespian friends in the corner. Nancy is with them. I shade my eyes and mingle in the opposite direction. I see Wes chatting up a girl. He’s drinking something of his own concoction no doubt. I sit at the picnic table, sip and smoke, perhaps hoping that maybe some poor drunken girl will plop herself next to me. 12:17, No such luck. I get up. 12:30, Dancefloor. The music still sucks. Still, no one cares. The girls are prettier, and maybe I’m just little buzzed. The foreign exchange girl is dancing with a guy I’ve never seen before and I get brave and start to dance. With a guy. He’s really drunk and just smiles at me. The song abruptly switches to a salsa. I can’t do this. After a few measures I retreat to the corner. I need more alcohol. Another cigarette. 12:45, I get my fourth cup. It seems low on alcohol, so I pour vodka into it. My cup is half jungle juice, half vodka. A deadly smelling combination. I know because I asked the foreign exchange girl. She was waiting in the bathroom line. Her name is Mari and she’s from the north of Spain is what she tells me. "It stinks," she exclaims. "What, the north of Spain?" I ask. She laughs and says no, the drink. "Oh, well... I’m sure in some places it does," I say. "No. It’s amazing," she insists. I tell her I love her accent, but she doesn’t believe me. "A lot of people hate it when Spaniards speak English, but not me, I love it." This is about when I realize that I’m quite possibly drunk or "crunked" as Wes might say, and I should probably quit while I’m ahead. 1:02, She really likes taking pictures. I’ve been in a lot of them. Wes taps me on the shoulder and says that "Bohemian Rhapsody" draws near. I say this to Mari and her friends. "Don’t make me explain it, just follow me." "Bohemian Rhapsody," for the uninformed, is a classic Queen song that, for many my age, was made popular by the film "Wayne’s World." At the Rugby House, the song is played at some point in the night, and we drunkenly gather and sing and dance to it. 1:14, "Ooooh baby, can’t do this to me baaaaby. Just gotta get out. Just gotta get right out of here." I come out of the scrum with only half a cup of jungle juice left. Mari laughs at me. I tell her that not everyone can be so beautiful. She offers me a cigarette. "Did we just have sex?" crosses my mind, but for some reason, gladly, this phrase does not escape my lips. 1:38, I’m drunk. Unequivocally so. Mari and her friends are still around. I begin to wonder how in the hell I could not have scared them off. 2:03, We’re out in front now. Her friends are very drunk and kissing on each other. I’m pretty turned on, but I say nothing. Mari mentions that I’m the first drunken American guy that hasn’t tried anything. Am I not living up to expectations? Should I be? I ask her if this is a bad thing. She says it’s a good thing. In my head I think it’s a horrible thing. I’m so horny. 2:30, She’s so drunk, her English sounds terrible, and I tell her to just speak Spanish. 2:40, I’m too fucking nice. I have her number, but I’m too fucking nice. 2:48, I go to sleep early.


© Patrick Patterson-Carroll (2008)

11.10.09

Dormitory Debauchery

"Dorm Sex"

By Alix Orozco

It was my second semester of college. I'd already done as much as I could to build up a reputation as a pothead, an alcoholic, maybe even a slut. Not intentionally, mind you. I'd been approached only a month before by one of the more lax resident assistants to go get high.

Now that same RA was asking if my friend Vance would buy the 3 of us some 40s. He agreed and once the contraband had been procured and safely stored in the RAs room, we began drinking and listening to music. Half way through the second 40oz and our filters were off. We began watching porn and showing each other our favorite porn stars.

Then came the drunk texting.

I don't know if the cloud of testosterone that overtook the room got to my head, I don't know what it was that I was trying to prove, but I felt the insatiable need to get laid. And I knew just who to call upon. We met only the week before. After drunken makeouts and confessions of, "I think you're hot," I fellated him in the backseat of his BMW.

In retrospect it's hard to remember what exactly had convinced him to come over, probably some explicit review of the things that awaited him.

"I have to go!" I squealed to Vance and the RA.

"Where are you going?" the RA asked.

"To get laidddddddd, suckahhhh," I replied with zeal.

I made my bed quickly and found a condom. I suddenly heard a knock on the door. I grabbed my cell phone and texted my roommate, "I need the room for a bit. Text you when I'm done."

He surveyed my room and focused on the array of books scattered across my desk. His eyes zeroed in on a Player's Handbook I had for Dungeons and Dragons. "Oh, you play D&D! I have a chara..." he started.

"I didn't say I wanted to talk, Brody. Take off your pants and get on the bed."

"Oh, uhh, okay."

I straddled him. "Is it okay if I tie you up?" I asked.

"Yeah, umm, I guess so," he answered timidly.

I unzipped his pants, slid them down and began fellating him as I'd done once before. Suddenly I felt not only his penis in my mouth, but my own vomit. Part of me was disgusted, but the desire to continue was overwhelming. I swallowed it and continued.

A few minutes and once his penis was fully erect, I put on the condom and assumed the position (reverse cowgirl style) and began to gyrate my hips. He thrust his own forward until I made him stop. I wanted complete control of the situation. He was moaning.

He came and I untied him. He thrust his fingers into me and I directed his every action until I could no longer speak.

Half an hour later he was coming to orgasm a second time, "Oh shit," he said, "I think I got a little bit on your wall."

I pulled my skirt back down, showed him downstairs and ran back to greet the RA sitting on a couch in his hallway. "Guess who just got laid!" I sang while thrusting my hips forward suggestively.

"But you're a girl!" he protests, "It's easy for you!!!"

"You look like you could use a cigarette," a voice says from behind me. It's Liam and he's wearing a sly grin on his face.

"Yeah, actually. That'd be great."

We went outside and I was beginning to sober up from the night's activity. I was suddenly very aware of the rain falling on the awning above us, the silvery dance of smoke emanating from our lips, the dull, satifying ache between my legs.

Liam finally spoke after a few drags off of his cigarette, "Did you take that purity test everyone's been doing?"

"Yeah," I said, "I think I scored like a 46."

"You know," he smirked, "I got a 22. I'd be willing to help lower your score."

I surveyed my surroundings, taking into account possible things that were on the quiz that I had yet to do. "Well," I replied, "I've never had sex with 2 different people in one night, I've never had sex outside, or in public, or in the rain."

"Yeah?" he ventured. He put out his cigarette, "I'm in room D222."

I went to my own room and passed out. I woke up with a hangover.

© Alix Orozco

7.10.09

Excerpt from: "The Best Way to Do Shots"

In Celebration. From "The Best Way to Do Shots"

We met for $2 shots at that new place that used to be a coffee shop. At the moment the name escapes me-- too many drinks in between-- but I'll probably remember it when I'm sitting on the crapper reading the New Yorker or something. We had just thrown our daughter a party for her second birthday in a very family friendly environment, so after leaving her with her grandmother, my girl and I decided it'd be fun to get away and slam a few. After all, she's the one who should be getting the presents, right? Baby had a head like a melon. I always laugh about that, but she doesn't.

So I was buying. We decided that we'd do shots 'til we dropped. She had the Yellow Cab Co. on speed dial. We get the first round. She picked vodka. I was a little disappointed because I'm a whiskey guy, and I have horror stories with regards to mixing lights with darks, but I jammed with it. Vodka it is. "Any particular kind sir? House?"

"It's all two bucks, right?"

"Yes."

"Stolichnaya," I said, and turning to her, "I never heard it in a rap song."

She chuckled.

She looked at me smilingly, adoringly. I had to shake my head. Pinch myself. Never thought I'd be the recipient of such lovely things, not from this woman. We get our glasses.

"Did you know," I said, "that vodka is Russian for water, and that it was originally seen as a feminine drink?"

"That was on the Wikipedia entry."

I toasted to her and we drank. She signaled to the barman. Two more. "Everything's on Wikipedia," I said. She nodded. “Mhmmm.” We turned, and two more glasses filled with clear alcoholic water stared up at us. She toasts to me, we drink.

“Are you implying that everything I learn, I learn from the internet?” she asked.

“No, but... I don’t see you read much.”

“Fuck yourself,” she said.

Two more! We glared at one another, stifling laughter, awaiting our poison. The bottoms of the glasses scratched against the bar’s surface as the bartender slid them toward us. We grabbed blindly at the glasses, careful not to break the glare. We toasted to our daughter and drank, reacting animatedly to the burn.

“TV,” I said.

“What?”

“TV. The thing is always on.”

“I don’t watch that much! It’s just noise!” she insisted loudly.

“Yes, you hate silence,” I said, signaling for two more. She seemed a little perturbed at that point.

The bartender handed us our shots directly, one at a time. We toasted to us and sent them down our throats. She wiped her lips and smiled. “How ya feeling?”

“Good,” I said. I was confident. Just as confident as the first day I met her. I put my hands on her hips and drew her into me. She pushed off and told me I wasn’t getting out of it. She called for two more. She toasted to my horniness. I toasted to her always being on her period when I’m horny. She laughed and we slammed the shots down our throats.

“I hate it when you leave me with the baby,” she said.

“I hate it when you nag me,” I countered.

Two more! We toasted. After that we got two more. We had to sit down. We were all over one another. Just like junior year of college. Next thing I know, she had called a cab and we were standing outside, puking on the corner of the night, waiting for it.

Wiping the vomit from our lips, we fucked one another with our eyes. We started kissing. Inside the cab we held hands in silence. As the vehicle made the turn on our street, she looked at me and told me that it was too bad she was on the rag.

©Patrick Patterson-Carroll (2009)