27.2.10

Brief Viewing of a Hideously Bad Movie

"Brief Interviews With Hideous Men"

2009

Written and Directed by John Krasinki based on the short story collection of same title by David Foster Wallace

Starring: Julianne Nicholson, Christopher Meloni, etc.

Perhaps there is something disingenuous about reviewing a film that one has only watched 1/2 of, but this is too good an opportunity to pass up.

This film is based on a collection of stories by the late, some would say great, David Foster Wallace. I happen to think "Good Old Neon" is one of the best stories I've ever read, and for that, Mr. Wallace has my infinite (teehee) respect. That said, and without commenting on the book on which this film is based (because I haven't read it)-- as a film in a context removed from the story-- Krasinki's directorial debut has to be the most boring piece of cinema I've laid eyes on.

The main character, Sara, played by Julianne Nicholson (no offense, but I think she is WAY too old to be a TA) sleepwalks her way through campus functions, lectures, interviews with "hideous" men, and various confabs with her social circle. I'd say they are friends, but I get no indication from the acting. She's boring, the cinematography is boring, and Krasinki makes the subject matter boring. There's no life to anything on screen.

So, why did I stop a movie halfway through for only the second time in a year? Because there's nothing to this. It doesn't say or depict anything that hasn't already been said or depicted by superior films ("In the Company of Men" and "Glengarry Glen Ross" come to mind right off), and I fail to see what's so hideous about "boys being boys." To me, something hideous or ugly would have to be something out of the ordinary. Something that didn't constitute "normal" behavior-- or what passes for it. Sure, you can say, "well, maybe you missed all the truly heinous bits in the final half of the film." Maybe. But who wants to watch half of a film before there is any kind of payoff at all?

Here, Krasinski suffers from Zach Braff syndrome. Just another relatively wet-behind-the-ears tv actor who thinks he has something to say, so he spends a lot of money and wastes a lot of people's time trying to say it.
Hell, he even had a head-up! He had source material. From a bad ass writer. If this film is an accurate representation of the late Mr. Wallace's book, then wow, it's gotta be his lesser material.

Part of the problem is that Krasinki doesn't allow scenes to linger or build. They're static and then they're gone. You can't even settle in on anything before there's a cut to another interview or Sara being followed around by two guys pondering the "mysterious" nature of women. My sense is that Wallace's book is about a woman who gets a glimpse of the inner workings of men vis-a-vis these interviews, and as the stories go on, she sees how said workings affect her own relationship with a specific man (played by Krasinski himself).

Instead of centering the film on her as a character, we get this spliced, artsy-fartsy, segmented display of thoughts that go absolutely nowhere. It's humorless, drab, and it gave me no indication that it was suddenly going to establish the kind of focus necessary to drive home whatever ideas it has.

I will say that Christopher Meloni stole the half of the film I saw. The guy can act.

Other than that, poorly played.

Encyclopedia Pornographica and Berenstain Bears

i always meet the prettiest girls in the shittiest bars
buy her a drink, show her my scars,
we drive to her place in a broken down car,
in minutes we’re drinking more and taking score,
i tell her that i used to masturbate into my older brother’s
girlfriend’s panties,
she says, my older brother’s a tranny,
i tell her that my hole ridden socks become cum rags,
she says, i used to pose in porn mags,
i tell her i lost my virginity to a fat tijuana prostitute,
she says, i can shove a coke bottle in my coot,
i tell her that i’m a premature ejaculator,
she says, see ya later!

… big brown bear blue bull beautiful baboon blowing bubbles biking backwards…

20.2.10

Movie Review: Revanche

Writer/Director: Götz Spielmann
2008
With: Johannes Krisch and Irina Potapenko

Spielmann's beautiful film would've fit very nicely in my "top 20" of the 2000's list. It's that good. It feels like two films in one. In the first, Krish is a small-time crook working in a Vienna brothel who makes the mistake of falling for a Ukrainian prostitute. In the second, he lodges in his aging grandfather's cottage; his life having been thrown into upheaval by an accidental death. A loner, by day he chops firewood and by night he paces his room in anger and frustration.

It's quite a coincidental tale of love, loss, and revenge. The beginning, which is defined by love or something approximating it, is peopled with various urban dwellers: pimps, prostitutes, johns, and crooks. The climax comes in the crime, where the bad deed is punished by loss. Needless loss. A loss that stokes the fires of revenge, creating three new perspective victims.

He finds himself in the pastoral sparsity of his need for revenge. Where once there was a future, there is but a void. A void that cannot be filled by whatever memories may be conjured from a single photograph. Because that's all he has. A photo of her.

The cop who killed her also carries her photo. Krisch's loss is also his. So it is that their lives swirl round and round in an existential vacuum, but only one can benefit from the death of the other. After a moment of revelation, he is implored by the most seemingly innocent of seductresses, the cop's wife, to not pursue vengeance. Though she knows he is without faith, she beseeches him in a dignified manner that exhibits vulnerability, but doesn't overstate it with pathos.

Because, as we all know, revenge has its many faces.

11.2.10

the occult of freethought

There definitely is a chilly wind that blows through a persons bones when they come across the paths that lead to destruction.
It's no wonder all the travelers that once walked with you no longer share your burdens, they got off miles back. They saw something ahead that wasn't in your direct vision and left you to deal with it without warning, but that's how it goes.
Something has to be said for the person that tries and tries, gets knocked down and gets back up just to start the cycle over again. It's when giving is more of a sickness than a charity. At one time there was a backseat to take comfort in, knowing that the people driving wouldn't lead you astray, but that, again, was miles ago and now you've been kicked out and have been trying to make it on your own.
It's not as if fortune hasn't smiled in the least bit, but sometimes fortune doesn't have teeth when it does. Maybe there is no mouth; maybe you just look it in the eyes and see that there's a glimmer of something laying in the depths and you have to crack some skulls to get to it.
Can it be that the monotony of monetarily driven monkeys manipulates the meaningless masses? Maybe. Though the masses be the monkeys.
Surely there can be assured some insurance to assure our security? But that's certainly not the case.
Whatever happened to dependability or predictability? Gone away with care and responsibility.
Thanks for bringing me here, now where did you say that map was?
There is only one sure thing in this world when you leave it all to humanity; and that is flesh. Man's desire to be back in the womb drives him to find someone who will let a piece of him inside and when that piece doesn't bring peace then on to the next. It's mans desire to be in control that man let's himself be controlled by a piece and not by himself because that is the way things are, and if it feels good then do it, right?
When does it begin to feel wrong?
Is that where virginity steps in?
Your last chance to see things from the clear perspective of ignorance?
Ideology always gains favor but never wins.
And to think people choose their life because they were born that way. They say that they aren't ashamed of who they are but they hide their true nature until they are welcomed among the flock, then they pounce. That's fine, and why not? If the sheep smell you for what you are yet let you among them, by all means jump on it! But don't assume that since you're a wolf, a hunter and out for meat that you can pick it up from someone that seems similar to you. The attraction is only one-sided and it's all you.
You get a gold star for the effort.
Though I recommend a cold shower.
There is a misery that bores deeply and lovingly into the soul and once it reaches its destination there is no telling what wonderful damage will be done. It's something so ethereal yet substantial; ageless while aging. Melancholy but for assertion limiting the flowing breathless embers of life (if I could elaborate... but that would be telling).
Sometimes the world looks perfect but then reality steps in and the light hurts my eyes.
Starting over, over and over. la-la la-la la-la....
Daily.
I'm just glad that the one truth in my life hasn't faded with my lack of want or following.
It'd be humbling, if I felt humility, and I would be proud if I ever had a chance to feel pride. I'm unsuccessful with success while sporadically stagnant.
Rapidly immobile.
Limitless limitations.
Keeping it together and staying focused are primary goals.
Once obtained (man, I never use that word) then moving further will be the next logical step.
Thank you for always being there when I didn't need you and gone when I do. I appreciate that so much I'm willing to suffer you in my life for no personal gain.
It's what I do.

by kevin mack aka VagueRant

8.2.10

¡Fuck this Blog!

Memories from Dumpster Reading #6. Sycamore and Munger.

-Location: green dumpster behind 12 unit apartment complex.
-Some contents: diapers, stray beer cans and cereal boxes from torn open trash bags, oily rags, cardboard boxes, used prophylactics, bicycle chain, and some dried up tissues.
-Smell: nothing potent enough to unclog my sinuses.
-Audience: hippie looking dude in cowboy hat and homeless black guy who wanted the cans.
-Hippie jokes: 3.
-What I did: read six poems from "Ahora, tengo que ir..." and closed with a newly minted short story called, "When you get fucked at the Motel 6, you really get fucked at the Motel 6."
-Time: 23 minutes, 17 seconds.
-Talking with hippie guy:

Me: So, what's up ya hippie fuck?
Hippie: Not much. You Port-o-Reekin?
Me: I'm American.
Hippie: Oh. Me too.
Me: Yeah. Well, if you're a Mexican day laborer, you disguise yourself well.
Hippie: I'm not a hippie. I was born in '68.
Me: Look, if you don't have no thai stick or LSD or shit, you're wasting my time.
Hippie: Oh. So why you standing in the dumpster?
Me: It's a statement on artistry and a strong re-affirmation of the importance of the DIY ethic.
Hippie: No clue what yer talkin' about.
Me: It just means that I'm a cheeky fucker. I don't have a fuckin' book deal, and I don't roll 6-10 deep in some internet writing clique. Every artist I associate myself with I respect and would never want to emulate them or have them emulate me.
Hippie: Oh.
Me: You're really only like forty? Dude, you look sixty.
Hippie: I useta do drugs.
Me: I still do. Fuck me you look like shit. Best anti-drug abuse ad ever.

7.2.10

Zombiefilm.

Why Zombieland is a watchable, infinitely enjoyable film.

1. Woody Harrelson is a bad ass.
2. Bill Murray.
3. Twinkies.

...

4.2.10

Peanut Gallery/Pinup Show/Art Auction/13th/Feb/2010

If you live in DFW, The Peanut Gallery is doing their monthly thing, this time at the Soda Gallery. Dressing up as a pin-up or greaser encouraged but not required. February 13th. I believe the gal in the photo will be there. I hope. Also, check the video for the event (you'll have to log in to facebook), Raymond in a wig is either the sexiest or scariest thing ever, depending on your taste.

Be there.