“Detouring Vol. 6”
By Patrick Patterson-Carroll
I’m still pretty drunk as I sit here at the bar. I feel giddy. Happy. Effervescent. What’s more, I don’t even harbor ill will towards Steve, who tonight has his Mohawk spiked and dyed orange. The makings of your typical "mall-punk;" all the studs in his face arouse in me only laughter, but I‘m sure his actual intent was to somehow distinguish himself from the twenty other douche-bags who regularly stomp up and down Lower Greenville. Way to make a statement. Of course, Strange doesn’t understand why I always pick on him specifically. Why I have a problem with him. I say, “Maybe I’m just an asshole.” The only response I get is an impassive “probably.” Holy shit, I say. Is “the Strange” becoming burnt out on my negativity?
“Nope. It’s just that the amount of shit you talk far outweighs the times you’ve had your ass handed to you. Karma, she’s gaining ground on your pacifistic ass. I can’t protect you forever. Even if you are right.”
“Fuck the alpha-male mentality, man,” I say.
Yes. Fuck it. The
alpha-male mentality. That’s the thing, though. I need a friend, not protection. A friend. He could’ve stood there earlier and let Steve pound the snot out of me and I wouldn’t have loved him any less. Shit.
The music provided by the
house DJ is becoming ever more grating. This is weird for me because when I’m drunk like this, I usually tune out anything undesirable. That is, if it doesn’t make me want to dance or fuck, or if it doesn’t remind me of some off-the-cuff talking point, then I assign it non-existence. It’s really quite easy.
On particularly bad nights, I can go the entire
hop without noticing any songs. I’ll focus on visuals (i.e. women) or on drink specials or on titillating conversation I might be able to overhear without being too much noticed. If a cabal of chatters seems amenable to my injection into the proceedings, then there’s little room for the music to impinge on my ears because one as passionately focused as myself when it comes to talking, lecturing, and socializing cannot be shaken by mere
top 40 variety songs. No, no, no. It takes something I really enjoy. Something I can-- if only vaguely-- connect to an indefinable nostalgic memory. The kind of music that awakens the sentimentalist in me. Makes me think of a girl. Hearkens me back to better days. Sadder days. Days of
the 400 Blows!
The songs playing tonight are typical jock rock bullshit. The DJ smiles wide and nods his head from track to track, so proud of his plebian tastes, somehow confirmed by the fact that no one is paying any god damned attention to him. No one fucking cares. He could just as easily let the night go on auto-pilot and it wouldn't sound any better. The difference would be nil.
I see Steve grab a beer and lean his ear into the cocktail waitress' face. This place is busy. I would say "busier than usual," but I am not usually around. I am thinking of stumbling back home. It's not like I can ride on Danger's tab all night. I need some sleep. I resolve to lift myself from the seat.
My legs tremble beneath my upper body as I stand. I'm a bit dizzy, but I think I'll be fine. Lately I've been getting really sickly drunk. Tonight, my stomach feels calm. I think that I might be hungry. I'll have to raid the pantry when I get back to the apartment.
Approaching Steve as if we're good buddies and not arch-nemeses, I ask him to tell Danger that I'm out. He gives me a brief glance and says "ok." Just like that. Giving the four letter, two syllable word the brevity it deserves. He doesn't look at me, expecting me to be verbally combative, abusive. Begging for an ass kicking that I rightfully deserve. Maybe it's not even worth it to him anymore. To indulge me in my drunken outbursts.
I don't know. There's something disingenuous about Steve’s persona. His appearance that so gently caresses the face of social conformity. His bullish, pseudo-protective stature that only seems to reinforce all societal stereotypes; reflecting upon him negatively as self-righteous bully. Yeah, he says he’s
punk. He exudes aggression. But deep down he’s no different than those people who insist half of America should rightfully be in prison.
He’s a fucking phony.
This is not to say that I’m the only one that sees it; that I’m some kind of savant, revelatory, seeing through some kind of transparency that no one else recognizes. No. Everyone knows this. Everyone on this block accepts this. Strange knows it, too. He’s just too busy actually being a punk to notice it.
I step outside and I see a crowd of people stuffed in the door of the bar across the street. It’s
The Peruvian. I’ve never been in there. In fact, I think it just opened. Like, they had a “ribbon cutting” ceremony, a “grand opening” very recently. Paying no attention to the traffic, I make my way across Greenville. People are shoving, fighting, yelling obscenities. Some are snapping photos with their cell phones. I can hear something about “fucking assholes” and “dickheads” and such.
Peeking through the crowd, I notice that there are several guys, some with the “twist-tie” handcuffs cutting through their wrists, others in plain black shirts, and still more with hats that have
TABC emblazoned across the front.
“These motherfuckers! These fascist motherfuckers!” One of the guys yelled. There were some retorts to the effect of “shut the fuck up,” but they were responded with more profanities. A guy started talking to me. I am winding down to a state of tipsiness, and I feel very tired and sleepy, but we’re engaged in this conversation about cops and we’re both feeling the same way about the situation. You give these assholes any kind of authority and they abuse it. Hell, these
TABC guys are nothing more than glorified security guards. Fucking rent-a-cops for the state of Texas. Basically, what they do is troll bars and clubs and streets for drunken violations. Their main function is to write tickets and assess penalties to liquor selling establishments, but of late they’ve been rather forceful and even more recently, brutal.
A while back they were in hot water over some aggression at a gay bar in Ft. Worth: lies, accusations, physical abuse, violations of civil liberties, etc.. I expect this to be in the papers and on the local news, too. The
TABC finally makes the fatal mistake that results in its immediate disbandment: they fucked with the wrong white people.
I reach over the crowd to snap some pictures on my cell and go on my way. The cops should be around soon, and I’d rather not incriminate myself with an inebriated presence.
My mouth is parched and I feel like having a lie down on the sidewalk. However, I know that I must resist such urges, considering the propinquity to my apartment. Less than ten minutes. That's all I have to wait. Then I can suck down a few glasses of tap water and throw myself onto my unmade bed.
At the Ross light, I balance myself against a telephone pole and stare emptily into the distance, the headlights of vehicles blaring out from the abyss ahead. A voice calls my name. I turn my back and I see a young woman's head poking out of the driver side window of a Kia Rio.
“Vanessa!” I shout. She cries out my name and I make my way to her window. Car horns are honking behind her as the light has just changed to green. She begs that I quickly hop into the passenger seat, and unthinkingly, I do.
The AC blasts in my face. She’s asking me what I’ve been up to. I smile and shrug. “Are you drunk?”
“Yes. Yes I am. Is it obvious?”
“I don’t know. You are walking along Greenville at almost two in the morning.”
She makes a right on Live Oak, accelerating westward. It’s been a while since I’ve been in a car. It smells new. Definitely not the kind of smell one would encounter in a vehicle that has been made into a temporary love den. Oh how one’s dreams can weigh on one’s perception of reality!
“I have cigarettes in my purse if you’re interested. It’s at your feet.”
“Oh. Thanks.”
I grab her purse, look inside, and there they are, a pack of Marb Reds, nestled between her wallet and a tampon. It’s unopened. I pull the pack out and slam it against my palm a few times. The car stops at the light on Washington and Live Oak. The
Jack in the Box to the right of us is dark, with all appearances lending credibility to the fact that despite the sign proclaiming its 24 hour availability, it’s closed, sitting on its concrete island in silence.
Trails of smoke billowing from my mouth and nose, I say, “We’re going to your place, huh?”
“Sure. Why not?”
“Oh. Cool. You live far?”
“Just a little further down on Live Oak. Pretty close to downtown, which is good because I work downtown.”
“What do you do?”
“Office work.”
As it turns out, her residence, a studio loft on the corner of Cantegral and Live Oak is one of the structures that I marvel at in passing on my treks downtown. As the car slows to a stop, she grins at me. I’ve been kidnapped, I think. It’s weird; kind of a thrill. Most of all because it isn’t true; it‘s not real. And though I’ve disabused myself of childish games and the melodramatic angst indicative of adolescent sexual development (or claim to have), I can see why “playing” can be so exciting.
We both slam the car doors and she steps onto the curb and holds her hand out to me. Crossing the threshold of the opened front door, we go hand in hand, her first (as per the chivalrous dictum that goes something like, "ladies first"), etc. and she slaps the wall, which lights up the entire room.
The place is immaculate, Spartan, the antithesis of "lived-in." I stand in the middle of the living room-- I think-- and if I say something, I believe the reverberation will overcome the both of us.
"Nice, right?"
Nice, right?
Yep. Indeed, I say.
Indeed. I'm staring at the black leather semi-circular couch in the middle of the room. Wooden floors unadorned by carpeting of any variety. Walls barren and white/grey. The glass coffee table; the floor beneath, unobstructed by magazines or newspapers or books, taunting me with its empty middle class modernity. I motion to the couch as if asking for the privilege to sit. She says, “take a shower first.”
I laugh.
“Seriously,” she says.
The contrast between the bathroom and the rest of the loft is noticeable. Opposing. The bathroom is cluttered with beauty and hygienic products. Unmentionables are strewn about as if in the aftermath of a tornado. I have to hack my way through the jungle of lingerie to find the shower.
I strip down and step into the shower. The water temperature fluctuates then settles into a nice warmth as it plashes over my head. I start smelling the shampoos and conditioners. They're all very fruity. Feminine.
Sitting on the toilet, I towel myself off. I hate bathing. I hate getting my head wet. It gives my naturally curly hair reason to act up. The act of putting my clothes back on seems counterproductive. I mean, I'm clean now, but they are dirty; redolent of spilt alcohol and cigarette smoke.
In the living room, Vanessa is sitting on her couch as I enter. She is grinning at me. Scaring me. I say that I'm tired. She asks me to have a drink with her on the balcony. She promises the view of downtown is beautiful.
We are sitting quietly, drinking some really god awful champagne. I think of asking her how someone who "works in an office" can live like this. Instead I take in the sight, the neon lighted structures of downtown Dallas looming monolithically to the west, representative of the western world's contribution to architecture.
Why not? You know? It doesn't matter, this really is nice. A breeze blows in from the north and I feel a smile forming on my lips. I just hope she doesn't expect me to fuck her.
©Patrick Patterson-Carroll (2009)
"Hoy y Mañana/Today and Tomorrow"
